Laptop Noise

Started by auerbachnsn, December 03, 2013, 02:09:04 PM

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mdtdeath

Quote from: secondplanet on February 10, 2014, 12:51:19 AM
sunfox and renoise are great for sure.. I'm also a huge fan of milkytracker

you're right

tiny_tove

going to add this to my ableton tonight : http://www.synthtopia.com/content/2014/02/10/dope-matrix-puts-a-modular-synthesizer-into-ableton-live/

although I will always stick to the real thing (which I am slowly building), sounds interesting... and very cheap price
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mdtdeath

currently workin' on pure data connected to the input of sunvox, ultra post-mortem random tunes :)

tiny_tove

http://thequietus.com/articles/14405-black-midi-algorave

I For One Welcome Our New Robot Vocal Cords: Radical Computer Music
Robert Barry , February 6th, 2014 03:57
CALIGULA031 - WERTHAM - FORESTA DI FERRO
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mdtdeath


tiny_tove

CALIGULA031 - WERTHAM - FORESTA DI FERRO
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bub

I have used diffent programs, and worked a lot with Reason since Reason 1.0
and now the reason 6 enabled recording it is my go to
choice of working enviornments .
I have gotten horrendously jagged distorted sounds using Reason.
I have harsh noise projects ( death ambient ) manicured noise and I can used my lap top.... or could use my laptop until the motherboard died.
No more money for Apple inc.

tiny_tove

anybody has a cure for the latest max for live working with ableton 9?
seem impossible to find
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Andrew McIntosh

I've never used a lap-top in a live situation or with recording/sound generation but I would regard it as a wider part of over-all computer music, which has a long and distinguished pedigree. So I wouldn't necessarily separate "laptop noise" from digital/computer music in general. In that, I regard it more as a recording method rather than a live tool, but I've heard (rather than seen) perfectly satisfactory uses of laptop in the live setting. Two main examples, Thendi Soddell and Merzbow (separately). Soddell's performance was particularly good because she played behind the audience, so there was nothing to see.

Re. applications - surprised to see AudioMulch not mentioned yet. One of the few applications I have paid for (and I still use an older version), it is pretty much nearly everything you'd want. Excellent for mangling samples in real time.

Also had very satisfactory results using the standard effects on good old Cool Edit which, to my ears, have sounded neither too digital-sharp nor low-fidelity muddy.
Shikata ga nai.

tiny_tove

Quote from: Andrew McIntosh on May 12, 2014, 05:00:23 AM
Re. applications - surprised to see AudioMulch not mentioned yet. One of the few applications I have paid for (and I still use an older version), it is pretty much nearly everything you'd want. Excellent for mangling samples in real time.



Yes!!! If one should choose only one software to generate sounds I would always suggest that.
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crudchampion

Worked with Supercollider for about 2 or 3 years until I found myself producing minor variations on the same few core sounds...worth the steep learning curve, however, despite the fact that there's a very narrow margin between the a full, overloaded sound that approaches scrambled hardware and completely blowing out your speakers (i.e. silence).

Häkkis Atte

Cycling74's Soundflower is worth to check out if you want to route audio from software to software in OSX. Earlier I tried to do routing with Jack but it was buggy and unreliable. Between Pure Data and Renoise Soundflower works like dream!

http://cycling74.com/products/soundflower/