Collage Art

Started by cr, June 29, 2013, 06:08:35 PM

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HateSermon

Some of the new artwork for the upcoming Hate Sermon release "Children of God".

https://suspiciousactivitylabel.blogspot.com/2023/01/new-collages.html?m=1

Ogata Tetsuo

I also made some collages for some zines, but my GF has a collage instagram.
Feel free to follow her: https://www.instagram.com/gluewithlove/


Cementimental

QuoteThomas Kong (January 16, 1950 - May 1, 2023) was an artist working in collage and assemblage, using advertising, packaging and other surplus material from his convenience store, Kim's Corner Food, located in the Rogers Park neighborhood of Chicago.

In the 17 years that Kong operated Kim's Corner Food, the store featured an evolving installation of his work, and was open to customers and visitors 7 days a week.

https://www.theartnewspaper.com/2023/05/03/thomas-kong-chicago-artist-obituary

https://thomaskong.biz/

free pdf book: https://halfletterpress.com/at-work-with-thomas-kong-pdf

AdamLehrerImageMaker

Quote from: Johann on July 02, 2013, 04:37:24 AM
Quote from: bitewerksMTB on July 02, 2013, 04:11:55 AM
When the word "transgressive" is used, it always seems like the person is trying to play down being offended. I'm not sure I've ever come across an artist who has stated their intent is to be transgressive.

"Uninspired" in what way? For the artist or the viewer? I've seen some stuff that looked like it was pieced together with very little skill but I have no idea if they were inspired at the time of tearing everything up or not.

When i think transgression, i think of something existing purely for shock value. And having no value outside of that. I also think a lot of PE inspired torn black and white is often times just terrible (it's like standing in the street and screaming "i'm fucking angry and i want you to know"), largely because it lacks originality/personal qualities (i think everyone can agree there is a lot of really poor shit out there, being poor "music") that separates it from the rest.

When buying a record or a tape, the artwork matters to me. I'm less likely to check something out i don't like the art (i'm sure many feel the same way) or the name. 

I don't agree with this. Every society has taboos. In our society, taboos are shifting constantly. Transgressive art merely brushes up against or crosses over the line of the taboo to either affirm it OR to challenge it and find its hypocrisy. One can tell the difference between meathead shock jock shit or something that genuinely transgressive that clarifies something about our culture.

Johann

Quote from: AdamLehrerImageMaker on May 19, 2023, 06:43:34 PM
Quote from: Johann on July 02, 2013, 04:37:24 AM
Quote from: bitewerksMTB on July 02, 2013, 04:11:55 AM
When the word "transgressive" is used, it always seems like the person is trying to play down being offended. I'm not sure I've ever come across an artist who has stated their intent is to be transgressive.

"Uninspired" in what way? For the artist or the viewer? I've seen some stuff that looked like it was pieced together with very little skill but I have no idea if they were inspired at the time of tearing everything up or not.

When i think transgression, i think of something existing purely for shock value. And having no value outside of that. I also think a lot of PE inspired torn black and white is often times just terrible (it's like standing in the street and screaming "i'm fucking angry and i want you to know"), largely because it lacks originality/personal qualities (i think everyone can agree there is a lot of really poor shit out there, being poor "music") that separates it from the rest.

When buying a record or a tape, the artwork matters to me. I'm less likely to check something out i don't like the art (i'm sure many feel the same way) or the name. 

I don't agree with this. Every society has taboos. In our society, taboos are shifting constantly. Transgressive art merely brushes up against or crosses over the line of the taboo to either affirm it OR to challenge it and find its hypocrisy. One can tell the difference between meathead shock jock shit or something that genuinely transgressive that clarifies something about our culture.

It's hard to know completely where I was coming from exactly (the quoted post is 10 years old) and I'm not sure if I'm responding to Keith or Keith to me, or what the other talk is around the quote. My expressed opinion wasn't very fleshed out, but I'll do my best to address it.

I think I largely feel the same way, I'm not interested in artistic expression (regardless of medium) exploring "taboo/transgression" as much as I am looking for something that's coming from a genuine place (if their interest is "transgressive" to some, so be it). I don't believe in restrictions of expression and if I'm not interested in the output or I think it's aesthetically uninteresting I'll probably ignore it. I think you can definitely tell who is for real but the expression itself still has to be interesting.

That said, I still think there is a lot of stuff produced that is not genuine (or if it is, maybe I find it still immature) and that's what I think of as "shock value" style stuff. Tons of people attempt to express how dangerous they are through expression in one of the safest communities around (reminds me of, I think the WCN interview with Noisewidow). I find a lot of the stuff cringey, weird male rights stuff, weak exploration of political ideas, accompanied by bad sound (ie unoriginal) and especially now hyper branded (aesthetically) to an audience looking for objects to express identity and post on social media feeds.

Regarding something "genuinely transgressing", I'd be curious to know what you think is accomplishing this in 2023. Specifically are we talking about inside or outside the community?

AdamLehrerImageMaker

Broad question of course, but transgression comes in many forms. The HBO series Euphoria, which initially presents itself as an utterly disposable zoomer entertainment product, then unleashes an onslaught of deeply deeply unsettling but ultimately very relatable and reflective concepts about addiction, sexual anxiety, the terror of youth. Cheesy? Yeah, mostly. Powerful? At times, very much so.

I mean this is also a silly question because anything that is upsetting thoughtless people to the degree that they aren't even willing to look past their own viases around it is an essentially transgressive act or art work. This might be more important than ever given the extreme censoriousness of the liberal do gooders in the west — those who wave their fingers at the peasants and say "you musn't say that" while they then unleash torrents of missiles upon the middle east or wherever — and the need to undermine these hypocrisies.

As much as I'm sure at least half the people on here will hate that I'm saying this, the 2016 campaign of Trump, his election, and all that followed (nonstop media hysteria, russiagate, Bush era spooks responsible for the death of millions accusing anonymous twitter users of fascism, etc) is the only really transgressive thing, or perhaps art, of this era. For a brief window, everyone in America understood intimately that our politics were a hollow shit show where monsters claim to be victims and killers claim to be heroes and liars claim to be impartial arbiters of truth.

Is it transgressive to use porn and serial killer imagery in collage? No, not really. Is it transgressive to force people to confront their own moral and ideological and social and political hypocrisies and limitations? Yes. And it is and always will be vital. Shakespeare was a transgressive artist. Melville was a transgressive artist. Etc.

Quote from: Johann on May 21, 2023, 05:01:15 AM
Quote from: AdamLehrerImageMaker on May 19, 2023, 06:43:34 PM
Quote from: Johann on July 02, 2013, 04:37:24 AM
Quote from: bitewerksMTB on July 02, 2013, 04:11:55 AM
When the word "transgressive" is used, it always seems like the person is trying to play down being offended. I'm not sure I've ever come across an artist who has stated their intent is to be transgressive.

"Uninspired" in what way? For the artist or the viewer? I've seen some stuff that looked like it was pieced together with very little skill but I have no idea if they were inspired at the time of tearing everything up or not.

When i think transgression, i think of something existing purely for shock value. And having no value outside of that. I also think a lot of PE inspired torn black and white is often times just terrible (it's like standing in the street and screaming "i'm fucking angry and i want you to know"), largely because it lacks originality/personal qualities (i think everyone can agree there is a lot of really poor shit out there, being poor "music") that separates it from the rest.

When buying a record or a tape, the artwork matters to me. I'm less likely to check something out i don't like the art (i'm sure many feel the same way) or the name. 

I don't agree with this. Every society has taboos. In our society, taboos are shifting constantly. Transgressive art merely brushes up against or crosses over the line of the taboo to either affirm it OR to challenge it and find its hypocrisy. One can tell the difference between meathead shock jock shit or something that genuinely transgressive that clarifies something about our culture.

It's hard to know completely where I was coming from exactly (the quoted post is 10 years old) and I'm not sure if I'm responding to Keith or Keith to me, or what the other talk is around the quote. My expressed opinion wasn't very fleshed out, but I'll do my best to address it.

I think I largely feel the same way, I'm not interested in artistic expression (regardless of medium) exploring "taboo/transgression" as much as I am looking for something that's coming from a genuine place (if their interest is "transgressive" to some, so be it). I don't believe in restrictions of expression and if I'm not interested in the output or I think it's aesthetically uninteresting I'll probably ignore it. I think you can definitely tell who is for real but the expression itself still has to be interesting.

That said, I still think there is a lot of stuff produced that is not genuine (or if it is, maybe I find it still immature) and that's what I think of as "shock value" style stuff. Tons of people attempt to express how dangerous they are through expression in one of the safest communities around (reminds me of, I think the WCN interview with Noisewidow). I find a lot of the stuff cringey, weird male rights stuff, weak exploration of political ideas, accompanied by bad sound (ie unoriginal) and especially now hyper branded (aesthetically) to an audience looking for objects to express identity and post on social media feeds.

Regarding something "genuinely transgressing", I'd be curious to know what you think is accomplishing this in 2023. Specifically are we talking about inside or outside the community?

cantle

QuoteAs much as I'm sure at least half the people on here will hate that I'm saying this, the 2016 campaign of Trump, his election, and all that followed (nonstop media hysteria, russiagate, Bush era spooks responsible for the death of millions accusing anonymous twitter users of fascism, etc) is the only really transgressive thing, or perhaps art, of this era. For a brief window, everyone in America understood intimately that our politics were a hollow shit show where monsters claim to be victims and killers claim to be heroes and liars claim to be impartial arbiters of truth.

Is it art when it is not a conscious creation but a result of just being, in this case Ttrump's actions. Politics is just showbusiness for ugly people after all....

Nasir K.

Lately, I've been using collages more and more in the design of my releases. Still, two-dimensional space and the simplest processing tools provide an almost inexhaustible opportunity to squeeze the maximum out of any junk, often without even having to change the source materials.

Competent collage allows you to set almost any context for the work, and most importantly - the context is sensual, emotional (nothing conditioned or mediated elaboration of the symbol), and taking into account the content itself, the effect only becomes thicker. It turns out a kind of context in the context, which generally deprives any need for something to prepare the listener and something to explain to him. Just play it on, watch and listen. I really strive to implement this approach to perfection.

FreakAnimalFinland

Quote from: cantle on June 09, 2023, 04:42:43 PM
QuoteAs much as I'm sure at least half the people on here will hate that I'm saying this, the 2016 campaign of Trump, his election, and all that followed (nonstop media hysteria, russiagate, Bush era spooks responsible for the death of millions accusing anonymous twitter users of fascism, etc) is the only really transgressive thing, or perhaps art, of this era. For a brief window, everyone in America understood intimately that our politics were a hollow shit show where monsters claim to be victims and killers claim to be heroes and liars claim to be impartial arbiters of truth.

Is it art when it is not a conscious creation but a result of just being, in this case Ttrump's actions. Politics is just showbusiness for ugly people after all....

Maybe Trump is not the artists, but the artist is the collective behind it?

I do think notion of art is interesting also from perspective that are there situations where art is no longer welcomed, as it is seen to distract or confuse something more important. Like politics, for example. To bring art into place where it is not wanted or usually not understood.

As example, during the immigrant crisis, Finland has uprise of street patrols, one of most visible was Soldiers of Odin crew, with hundreds of people. As opposition, antifascists had LOLdiers of Odin group, that was people dressed in clowns making fun of situation. Of course media was loving it, and invited three clowns into live morning TV. Media people, who were clearly prepared to talk real politics, real issues, faced clowns who... kept acting like clowns.  https://www.youtube.com/watch?v=lxMg-b9bJY8

As a result, entire nation was laughing either to media or antifascists or entire situation. It appeared that most people did not "get it". Especially regular folks were abhorred, that we face this important political debate and it turns into joke. Anti-immigrant people laughed for absurdity that antifascists supposedly wasted their chance to voice opinion at media. Some serious antifascists had same concerns. Why not bring solid arguments to table? In re-runs, TV station edited away entire segment of show and decided not to air it anymore. What it really shows, is that anytime TV hosts asks question that has certain political bias and strawman argument in it, clowns offer "hobby horse" (in finnish language keppihevonen, hobby horse, doesn't mean only topic about which someone loves to talk at great length, but can mean close the same as strawman argument. Like using rape threat as argument to oppress all incoming immigrants). In about 3 minutes part of mention clip you'll see pretty great moment when journalist appear totally miss the point. Any time when seemingly serious question is asked, clowns just keep goofing around and replying to questions of safety of streets with repeating "we also have hobby horse"!

Of course, a lot of people get it, but it seemed clear that vast majority did not.

Almost like Laibach -moment, where the system is exposed, and system is unable to respond and becomes confused, when art unexpectedly takes over and refuses to play in terms of normally agreed.

Does the confusion and performance art work when arena is something else than it is supposed to be? Of course we are no longer talking about "collage art" here, but I do feel there is very common idea that art is the expression that happens in some sort of own artistic space, for entertainment purposes of art lovers and then the real arena of politics, business or whatever, is for grown ups and serious biz not to be played with.
Yet, in moment when interview seems to be purposeful, almost scripted routine, suddenly exposing it to laughable joke, it is very clear the art exposes its nature, while concerned intelligent political responponse would have given question legitimate authority, not exposed what the questions really are.

I realize that some argue that this is dangerous zone, if we can't anymore trust if we are dealing with something "real" or just weird spectacle. Well, indeed! One can look into politics or economy, and wonder if any other than artistic reply would be worth consideration? 
E-mail: fanimal +a+ cfprod,com
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cr

Source materials? I already asked some years ago, but as I'm always looking for different sources, I'd like to ask again: What are your favourites, and where do you get them from?
I know, I could just open Google and search for some good pictures, print and copy them or whatever...but that's not what I want.
I like it more "physical" from the beginning of the process, if you know what I mean.
Thanks!

Balor/SS1535

Quote from: cr on September 05, 2023, 05:01:44 PMSource materials? I already asked some years ago, but as I'm always looking for different sources, I'd like to ask again: What are your favourites, and where do you get them from?
I know, I could just open Google and search for some good pictures, print and copy them or whatever...but that's not what I want.
I like it more "physical" from the beginning of the process, if you know what I mean.
Thanks!

I can't work with Google when I make collages.  The ability to find almost any image I might want, though it might seem like a benefit, is actually detrimental.  It creates choice paralysis, and would, I think, eventually lead me to just start copying others to an even greater extent than I already do.

In order to offset this, I just subscribe to a few newspapers and magazines.  I make sure to go through them and look at all pictures/articles, and then cut out whatever is interesting or potentially useful.  I then sort them into various files and boxes.

Every once in a while, I also find some interesting trash on the ground too...

AdamLehrerImageMaker

I agree Mikko, the following that he built has something magic upon it. And the beauty of it is so simple "Make America Great Again." It's hardly a provocative sentiment, it's a nice sentiment, one that Americans largely agree with. Let's make it great again. Let's make schools better. Let's improve the infrastructure. Let's tighten the border. Get control of our great cities.

And yet, such a simple message is treated by the media as nothing short of evil. This signals one thing: they don't want America to be great again. They want to keep running it into the ground, funding their special ops and their misbegotten military expeditions and the armed conflicts that have nothing to do with America other than boosting the bottom line of Raytheon.

I'm rambling of course, but it should surprise no one that again Trump is the man being turned to in this dark moment. Compared to the average DC politico or spook, he's relatable. He's relatable in his flaws. He hasn't been outright infected with machine logic. He believes it shouldn't be so difficult to just improve America.

Quote from: FreakAnimalFinland on June 10, 2023, 10:00:41 AM
Quote from: cantle on June 09, 2023, 04:42:43 PM
QuoteAs much as I'm sure at least half the people on here will hate that I'm saying this, the 2016 campaign of Trump, his election, and all that followed (nonstop media hysteria, russiagate, Bush era spooks responsible for the death of millions accusing anonymous twitter users of fascism, etc) is the only really transgressive thing, or perhaps art, of this era. For a brief window, everyone in America understood intimately that our politics were a hollow shit show where monsters claim to be victims and killers claim to be heroes and liars claim to be impartial arbiters of truth.

Is it art when it is not a conscious creation but a result of just being, in this case Ttrump's actions. Politics is just showbusiness for ugly people after all....

Maybe Trump is not the artists, but the artist is the collective behind it?

I do think notion of art is interesting also from perspective that are there situations where art is no longer welcomed, as it is seen to distract or confuse something more important. Like politics, for example. To bring art into place where it is not wanted or usually not understood.

As example, during the immigrant crisis, Finland has uprise of street patrols, one of most visible was Soldiers of Odin crew, with hundreds of people. As opposition, antifascists had LOLdiers of Odin group, that was people dressed in clowns making fun of situation. Of course media was loving it, and invited three clowns into live morning TV. Media people, who were clearly prepared to talk real politics, real issues, faced clowns who... kept acting like clowns.  https://www.youtube.com/watch?v=lxMg-b9bJY8

As a result, entire nation was laughing either to media or antifascists or entire situation. It appeared that most people did not "get it". Especially regular folks were abhorred, that we face this important political debate and it turns into joke. Anti-immigrant people laughed for absurdity that antifascists supposedly wasted their chance to voice opinion at media. Some serious antifascists had same concerns. Why not bring solid arguments to table? In re-runs, TV station edited away entire segment of show and decided not to air it anymore. What it really shows, is that anytime TV hosts asks question that has certain political bias and strawman argument in it, clowns offer "hobby horse" (in finnish language keppihevonen, hobby horse, doesn't mean only topic about which someone loves to talk at great length, but can mean close the same as strawman argument. Like using rape threat as argument to oppress all incoming immigrants). In about 3 minutes part of mention clip you'll see pretty great moment when journalist appear totally miss the point. Any time when seemingly serious question is asked, clowns just keep goofing around and replying to questions of safety of streets with repeating "we also have hobby horse"!

Of course, a lot of people get it, but it seemed clear that vast majority did not.

Almost like Laibach -moment, where the system is exposed, and system is unable to respond and becomes confused, when art unexpectedly takes over and refuses to play in terms of normally agreed.

Does the confusion and performance art work when arena is something else than it is supposed to be? Of course we are no longer talking about "collage art" here, but I do feel there is very common idea that art is the expression that happens in some sort of own artistic space, for entertainment purposes of art lovers and then the real arena of politics, business or whatever, is for grown ups and serious biz not to be played with.
Yet, in moment when interview seems to be purposeful, almost scripted routine, suddenly exposing it to laughable joke, it is very clear the art exposes its nature, while concerned intelligent political responponse would have given question legitimate authority, not exposed what the questions really are.

I realize that some argue that this is dangerous zone, if we can't anymore trust if we are dealing with something "real" or just weird spectacle. Well, indeed! One can look into politics or economy, and wonder if any other than artistic reply would be worth consideration?