Tommy Carlsson
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« Reply #1035 on: May 01, 2011, 10:28:39 PM » |
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DMDN "sling trip 2" CD
Perfect 80's industrial/pe. Today I listened to the DMDN Netley Abbey tape (Midas Music, 1990), and I think that most of the tape is included on the CD mentioned. It is really excellent stuff, and hasn't dated at all as far as I'm concerned. In 1990, I don't think anyone made any kind of distinction between "noise" and "power electronics", rather I think that most folks that I heard mention the tape just thought of it as a noise tape. Things were so much easier back then, heh. Anyway, a great tape, and one that a lot of folks would appreciate these days. |
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STREETMEAT
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« Reply #1036 on: May 02, 2011, 12:13:51 AM » |
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Blood ov thee christ -Behind thee bars
does anyone know where the first sound clip is from? would love to watch(or listen too) more.
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RyanWreck
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« Reply #1037 on: May 02, 2011, 08:13:35 PM » |
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Wince – Vasovagal Syncope (White Centipede Noise, 2010) - I believe this was the beginning of the Wince we know today, changing from the walls found on Buried Rage and previous cassettes to well rounded Harsh Noise utilizing an abundance of metal/junk and pedal abuse. This also marks the beginning of the great WCN label. Side A begins with a sample and rigid feedback that quickly erupts into bulldozers of static. Creaking metal and, what sounds like, broken glass being tossed around in a metal paint roller tray or tin can, make their presence known quite early. Side B feels "fast" to me. It's like Noise blastbeats without rhythm. Violent volleys of crunch, effected metal and snaps of feedback that intensifies itself as the track progresses. This one can give you an anxiety attack accompanied by nausea.
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Ashmonger
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« Reply #1038 on: May 02, 2011, 08:45:00 PM » |
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Sharpwaist - Sucking from the Breast of a Castrator (C30, New Forces): Quite a different line up from the tape on Nil By Mouth (now with Kristen Rose of Sewer Goddess) and it sounds different indeed. Less chaotic, more kind of subdued, dark, maybe even a bit atmospheric. (I really feel I suck at describing this kind of music.) Anyway, not that the tape on NBM is bad, but I like this one more.
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Brad
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« Reply #1039 on: May 03, 2011, 06:42:05 PM » |
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Decree - Fateless
how does this compare to the first 2 cd's? the first one was massive imho, second one was still "ok" .... It's a pretty unique album. More noise rock than the previous two, more "earthy". The guitar playing is similar to Moment of Silence, but it is far less overtly electronica-influenced. Sometimes reminds me a bit of '90s industrial metal like Ministry, Nailbomb, Godflesh, etc., though not exactly a metal album itself. |
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XE
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« Reply #1040 on: May 03, 2011, 08:45:57 PM » |
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SICK SEED "Man And Machine" 7INCH
A slight disappointment. For a 45 rpm 7" I'd like to hear more "instant hit" material, stuff on this record would be fine on a tape or lp. But on a 7", just makes me wonder why or how do these two tracks stand on their own. For me, they do not. Solid stuff, though, just too short to make an effort. The bar is very high when it comes to SS. High expectations. A-side is hit tune for me. B side is "just" good(yeah would work better as a longer piece). Solid cut,great sound quality. I did enjoy this release a lot! however I can see what y mean. 7" is a format that needs a something very very special. Think about if there would have been SS 7" "Snow Fell/Huorakatu", both tracks on first LP. T H A T would have been uber hit release! That kind of picks are needed for 7"! btw upcoming SS material on split LP w/ SHIFT is so good that it hurts. Epic long stuff, just perfect for LP side! |
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GEWALTMONOPOL
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« Reply #1041 on: May 04, 2011, 12:24:41 PM » |
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PETER WYNGARDE - Rape Stumbled upon this via the Jim Goad FB group. This is some far out shit. Why have I never heard of this guy before? http://www.youtube.com/watch?v=fDfnkm3WN9k |
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Först när du blottar strupen ska du få nåd, ditt as...
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tisbor
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« Reply #1042 on: May 04, 2011, 01:12:19 PM » |
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fuck that's good stuff ! italian rape .. brilliant |
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P-K
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« Reply #1043 on: May 04, 2011, 04:25:14 PM » |
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Ashmonger
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« Reply #1044 on: May 05, 2011, 08:15:08 PM » |
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Defiler - V.III (CDr, self-released): Good Dark Ambient/Industrial stuff. Got quite some guest-work (one track made by each: Camisole and T.O.M.B.; and J.Stillings (Steel Hook Prosthesis) did some vocals and additional sounds), but it works. The overall dark atmosphere is kept very well and rather homogenous. J.Stillings vocals are of course very well recognizable, and where I think they wouldn't fit in with every other project, it goes with Defiler. Guess he was rather inspired by SHP overall. If you're into this kind of thing, definately worth checking out.
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murderous_vision
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« Reply #1045 on: May 06, 2011, 12:02:42 AM » |
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Defiler - V.III (CDr, self-released): Good Dark Ambient/Industrial stuff. Got quite some guest-work (one track made by each: Camisole and T.O.M.B.; and J.Stillings (Steel Hook Prosthesis) did some vocals and additional sounds), but it works. The overall dark atmosphere is kept very well and rather homogenous. J.Stillings vocals are of course very well recognizable, and where I think they wouldn't fit in with every other project, it goes with Defiler. Guess he was rather inspired by SHP overall. If you're into this kind of thing, definately worth checking out.
Defiler is an amazing project for sure! |
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STREETMEAT
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« Reply #1046 on: May 06, 2011, 03:58:13 AM » |
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Bu - private live 1/1/2011
Concrete Mascara - Dead In Helsinki 1.1.2011
Great audio performance by both artist
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FreakAnimalFinland
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« Reply #1047 on: May 06, 2011, 07:09:48 AM » |
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yes, these are good tapes. Only complaint would be, that they don't fully represent the power of original sound. For example Concrete Mascara live gig, in this tape, the end appears to be electrical cord noises and crackling sounds and vocals, but what recording failed to capture, was the massive DEEP bass frequency, what was THE dominating element of the live. I mean, the crackles wasn't just crackles, but it was the sound of bass amp nearly bursting in flames. You could feel bassy waves trembling in small space.
Recording was made from distance, with normal microphone, so there are some limitations.
Although a lot of PE does benefit from thin and lo-fi sound, sometimes also clear and in-your-face sound could reveal the nature of sounds better. Even if we talk about the crudest and harshest sounds.
I'd hope to get live recordings with proper microphones placed just in front of the amps.
Nevertheless, both tapes are good, and Sadistic Bliss new tape appears to be the best what band has done! First I thought how come they went into this Randy Yau meets vocal poetry thing, with loop/delay/vocalsound experiments, but it doesn't take long when insane sounding drum beat and feedback noises arrive. One long piece.
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andy vomit
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« Reply #1048 on: May 06, 2011, 05:10:55 PM » |
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Defiler - V.III (CDr, self-released): Good Dark Ambient/Industrial stuff. Got quite some guest-work (one track made by each: Camisole and T.O.M.B.; and J.Stillings (Steel Hook Prosthesis) did some vocals and additional sounds), but it works. The overall dark atmosphere is kept very well and rather homogenous. J.Stillings vocals are of course very well recognizable, and where I think they wouldn't fit in with every other project, it goes with Defiler. Guess he was rather inspired by SHP overall. If you're into this kind of thing, definately worth checking out.
Defiler is an amazing project for sure! agreed 100%. "V.III" is a great disc, and i'm very much looking forward to the MURDEROUS VISION/DEFILER 7"... |
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thevomitarsonist.wordpress.com
danversstaterecordings.blogspot.com
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hannes
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« Reply #1049 on: May 06, 2011, 05:44:13 PM » |
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Bizzare Uproar - Musta Rotta
Hijokaidan - Noise From Trading Cards
Above The Ruins - Songs Of The Wolf
Alleypisser - Tvang
Händer Som Vårdar - Bakåtböjning
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