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« Reply #8310 on: July 14, 2021, 07:55:31 AM »

PRURIENT "Barons Chamber" CD
Nihilist
Hot summer day, cleaning up piles and piles of good noise cluttering every free space… This CD ended up to stereos. My recollections of when it came out, was that it was lo-fi gutter rumbles. I guess it is more about stereo set-up how this feels! Vastly better and bigger speakers than back then, now it feels almost crispy! Ripping fierce noise with exaggerated level of boomy bass frequency, some symphonic tones. rarely mentioned cd from his discography. Back then came quite few cds, in quick pace, so easy to be forgotten under the more established albums. Now, many years later this has proven to have survived test of time even better than most appreciated works!

Der Blutharsch" When All Else Fails" 2x10"
noble loop music? I like the earlier works the best. This is good in style what it is, and most certainly better than DB/Skullflower collaboration LP I was listening last week. Tried to like it, and listened multiple times, but just… didn’t really feel any impact other than concluding LP sounds pretty much 1+1=2 of what one could expect at this point from 2020 release of the projects.
When All Else Fails remains vital and well crafted musically and physically. Double 10” in hardcover slipcase.

Institut – Motionstruktures 10”
Hard distorted noise-loop rhythms / drum machines and vocalization from 2002. I suppose CMI made it popular, but this is on small Italian label. I guess its not long since I had this on playlist. Just happened to grab it from shelves and I guess like I said last time, I like Institut way more now than when these originally were published!

Haus Arafna "Blut.." 2xLP
Galakt Horro
It was nice that this was reissued some years ago. Their hardest and noisiest. Sound of HA can be immediately recognized, and brilliance of hard grain on top of all analogue torment and aggressive vocals. I don’t think there is anyone else who really can make this type of sound, even when many probably own some of the similar gear. Even with simplest oscillations and rhythms, there is always something very Haus Arafna in its atmosphere.

Irikarah "Kampf sequenzen" pic LP
Steinklang
Way way less appreciated European industrial-noise project, IRIKARAH… This is the first pic LP, but I have 2nd one also on pile waiting for tomorrow. Hard distorted rhythms from drum machine, but also clearly from turntable loops. XXX film audio samples, throbbing synth noise, oppressive dark kampf sequenzen! Sometimes I wonder how come Irikarah is not praised more? Perhaps the later days CD’s with semi-useless EBM tracks and worse production makes people forget that couple first albums and split LP with Strom.ec are brilliant! Especially the split I see as highlight of their discography.
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« Reply #8311 on: July 15, 2021, 08:41:56 AM »

Sewer Election/Arv & Miljo - Split
While I get a kick out of the numerous essays I've read from Sam McKinlay that give almost academic breakdowns of why harsh noise wall is important (even going so far as to namedrop Philip Corner in the liner notes of the Pieces LP), I find my connection and love/hate affair with the genre to be something totally primal. For every release that I love in this field, there are probably another 20+ releases that I would never listen to a second time. Referring to the Sewer Election side of this cassette as "harsh noise wall" may be a bit reductive, as there are some dynamics and distinct movements, but there are definitely some wallish sections that are incredibly satisfying—thanks to the artisanal textures and crunchy fidelity that Johansson has spent so many years dialing in. It's that kind of commitment that produces the most satisfying results for me. The Arv & Miljo side is also pretty dirty, yet a bit more scaled back and hypnotic with its tape loops and collaging. Anyways, the 20 minute duration went by way too quickly and I have to jam this again soon. Great work.

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« Reply #8312 on: July 16, 2021, 10:42:27 AM »

Agonal Lust/Mania - Split
I've kind of hit a place where I basically want to hear everything that KB worked on (at least whatever has been released in some capacity) at least once. This may be the opposite of what he would've wanted, hence the anonymous projects, but that's how it goes in a section of the underground that thrives on obsession. I was really glad to grab this tape in a trade with an acquaintance recently.

It's my first time listening to more than a short clip of Agonal Lust and it's pretty killer. Texturally—it sounds like a bulldozer running over a field littered with cow skeletons, just crushing. There's a growling death-industrial backdrop of what sounds like droning synthesizers and paced, processed screams. While it isn't necessarily pushing P.E. into the same kind of fresh, paradigm-shifting, and utterly unhinged places that someone like Interracial Sex is, the sound is still really fucking dialed in and satisfying. Curious to hear that Meatpacker tape that just came out on Total Black.

The Mania side starts off pretty spacious and meandering, featuring some of the most bizarre vocals I've heard in any movement from this project—just creepy and ballistic. Things quickly heat up as sonic explosions erupt like tripped landmines, gradually building in frequency. One of my favorite aspects of Mania is the way he would layer varying fidelities—some layers of junk abuse remain crystal clear and cut through the mix flawlessly, while maintaining pretty high fidelity. Meanwhile, some sounds are crushing and completely blown out, while others distantly screech in the background. The sonic assault hits the listener from a variety of distances, which makes it a really immersive listen. Good nasty stuff. Eventually I'm going to listen through all of the known material, so I sure hope to eventually find all of the hidden sections of his discography, but I'm sure it will take a lot of research and scouring through label discographies.  
« Last Edit: July 16, 2021, 10:44:05 AM by Woundfucker » Logged
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« Reply #8313 on: July 16, 2021, 08:39:52 PM »

JH - ill stars
getting some unwell haino scourings off this, those prime haino scourings of the nijiumu kind, the early kind, bleeding the heavens cold. well they- the heavens- were already cold but no help here. a departure for JH and not unwelcome. infinities of sheering sheeting 'hole-abrading oblivia.


An earlier post on a recent James Hamilton beaut [edit above] had me namechecking a specific Haino, and it was this one and I
knew I had to – immediately – hear it again. If two days later can count as immediately


Keiji Haino – Nijiumu, AKA PSFD-7
Know what I fucking hate? Looking for fucking Haino. Not Haino in general, Haino in the specific, specifically this fucking thing, otherwise affectionately known as PSFD-7. The affections bestowed owe as much to the circumstances behind my initial interactions with the work as to the awesomeness of the work itself. Leaving out the trials of digging out the correct all-black indistinctly marked fucking disc.

PSFD-7 is one of those taped-randomly-off-college-radio-and-never-caught-the-name-of-the-artist deals. Slightly surreal waking dream-like circumstances underlay the broadcast, taking place in that 5:30am Lalaland betwixt two concurrently running radio shows in the Toronto of the time- Mitch Kroll's Beyond The Gates Of Hell, running midnight till daylight, and Rock ‘ Roll Cleveland, which blasted in at 5 or 6 am with all the energy expected thereof. But my favorite interval was the one-hour transition during which a no doubt half-dead Kroll would just run the shit, said shit eventually overlapping and collaging with more rockin (if often no the less fucked) early morning brutalities (I think it was a Monday morning to boot).

Short hours later on the bus to school, in zombified all-night-radio-induced state, playing the shit back on my Walkman and the shit just hit it a nerve. Wrenched a nerve. Wracked a nerve. Several nerves. You say you like industrial? Well I said I did and at the time I liked nothing more than the pantomime-level industrial shit. (Or as my schoolmate Pete, who had never heard industrial music, would out put it: “Hey Jim, get the wrench. Let’s make some industrial music!”) Like, I know Haino has all these shamanic connotations n stuff but to me this sounded like someone very slowly murdering a cat in a half abandoned industrial warehouse- as seen from the tortured perspective of the cat. Nerves-plural-wracking feline spasmolytics, metal-on-metal whang, strangulated stringed innards bowing and warping in weirdly tortured resonances. I had no idea who- or what- was responsible, but it would not then have surprised me if a person named “Jim” were involved in some capacity. Long-form industrial strength shamanic ritual animal abuse, did the police know about this Jim feller like christ, but so undeniably sublime so indelibly burnt, deep, into the memory holes.

Years later finally copped the joint, possibly off RRRecords- listed in the catalog, of course, as PSFD-7- still having no idea what I was in for. Somewhere along the way I was given to understand that PSF stood for “Pretty Strong Factory” Records so I was at least certain that whatever it was would be very much of the pantomime spirit.

In pops the disc and out spurts some strangely familiar tinkling upon the ivories, jangling at the edges of befuddled nerves. Then that first cat-guts-wrenching shriekout and the spiritual awakening is immediate. Like, “Holy fuck! THIS IS THE FUCKING ONE!” Couldn’t read the kanji. Didn’t need to. I know a Jim when I hear it. Simply a perfect piece of recorded sound.

The writer of the above would like you to know that no cats were harmed in the playback and listening of this recording.
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« Reply #8314 on: July 20, 2021, 01:27:22 PM »

From Bandcamp streaming cause ... well, go find the tapes yourself, impossible, unless you want to pay loads !

SEP/8363 - Series One (1982) : The day i saw the light, he was finishing these recordings. Industrial experimentation and composition. The sound i cant get tired of.
https://bradlaner.bandcamp.com/album/series-one

391 - View From Hear (1984) : Amazing ! Atmospheric. It doesnt hurry, neither should be, it takes its time, you are treated with excellency.
https://sheffieldtapearchive.bandcamp.com/album/391-view-from-hear-soundtrack
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« Reply #8315 on: July 21, 2021, 09:01:33 AM »

Yellow Gas Flames, "Zen Carbon Monoxide" tape ep and Accepting The Necrophile double tape. Short one, with more high pitched, lo-fi harsh noise blend with some movie audio-track type of sounds behind it. Double tape, more solid harsh noise, makes me think of older thirdorgan. It’s fast, texture is always on the move, but remains in quite narrow range of noises. Harsh, but not utterly boosted and punishing. More suffocated fidelity and less punch. All these, being good qualities! Also good song titles on "zen carbon.."!

I like the packaging, colorful artworks, size and... even the smell is a bit like... you don't get this when it's factory sealed pro-tape missing all the qualities what "self made" releases have.

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« Reply #8316 on: July 21, 2021, 02:44:17 PM »

Howard Stelzer & Campbell Kneale
The World May Congratulate Itself That Desire Can Still Be Raised In The Dulled Hearts Of Its Citizens By The Rumor Of An Emerald (Version 2)

Re-work of the very limited 2016 CDr, re-edited & re-mastered in 2020. Masterful droning by these two and a great example of two artists elevating each other. Not that either aren't already exemplary in their own right, but this release is really fantastic. Listened laying in bed with headphones last night and there is a lot of nuance and detail to the sounds. Highly recommended and a steal at the "name your price" option currently on Bandcamp.

https://howardstelzer.bandcamp.com/album/the-world-may-congratulate-itself-version-2
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« Reply #8317 on: July 27, 2021, 06:19:39 PM »

I've  been working my way thru the latest Fusty Cunt and Easy Listening batches, all kinds of great stuff starting to show up.

Mallard Theory / Burnt Feathers - Split C32 - Fusty Cunt 2021
To the point, fast and intense harsh noise from some real Pittsburgh heads. Mallard Theory side brings a confident, extra lofi attitude without at all losing the character of it's components. Piercing, tinny synths shred over ominous low-end rumblings. Bass (guitar?) hits rumble through like a tornado siren. Squirming and heavy stuff.  Burnt Feathers (Niku Daruma and other great projects) brings some vocals into the mix, while maintaining a similar density of sound. Heavy and thick mix, synth, bass, piercing feedback. Both play well off each other!

Kwashiorkor - I Have Kwashiorkor - C45 - Fusty Cunt 2021
Described as a mix of doom, noisecore, and PE, this one upended my expectations. Drums and bass on a handful of tracks bring the doominess, though never getting too "songlike"; this hits more like MITB/powerviolence on a cassette deck with dying batteries. All 3 contributors (folks from the US, German, and Ireland) provide vocals and noise, while percussion brings some level of "structure" to the 6 tracks. Amorphous and filthy noisecore, slowed down and bludgeoned.

Dosis Letales / Mo*Te - Split C20 - Fusty Cunt 2021
Dosis Letales' side is crunchy HNW, the only dynamics really being stop/start moments in otherwise brickwalled noise. At ten minutes, it doesn't wear out it's welcome. The Mo*te side is great - very filthy recording, closer to something like "stash" than the newer material, though still maintaining the strange rhythmic quality of the past few releases.

Gates of Janus - 3xC46 - Easy Listening 2021
Downer synth duo of Thom Elliott and Knox Mitchell. I loved this - rhythmic industrial built on a handful of elements per side. The drum machine hits are so thick and play well off the strange synth lines. Simple melodies unfold over time; bleak and confident tunes.

Lidless Eye - Slanted Surface - C30 - Easy Listening 2021
Intense and heavy synth noise. Liner notes indicate it's all MS10, MS20 and tape, recorded in one take, and that's what you get. Choppy synth lines mashed with obscured vocals, chaotic frequencies, and semi-rhythmic sequenced moments all blend into a thick haze of unhinged chaos.
« Last Edit: July 27, 2021, 06:35:35 PM by Eigen Bast » Logged
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« Reply #8318 on: August 07, 2021, 08:58:49 AM »

Many of the "holidays" this summer, out of town for weeks. Possibilities did not allow noise listened all the time! One thing listened from bandcamp, was Mark Solotroff new solo album.
https://marksolotroff.bandcamp.com/album/not-everybody-makes-it
Due current shipping rates, its unlikely album will really make it to European distributors, so listening at bandcamp seems fine.
Pretty good stuff I would say! Can’t say I would have heard all his solo works, but compared to older stuff - which was often decent material too - it seems like this is advanced in composition and sound! It is always delight to see the veterans of genre to progress! Five 10 minute tracks of quite ”drone” oriented at times. Even quiet, but also more noisy synth sounds are included.

CLEANSE "The prince" 12"
Hospital prod
I am sort of surprised that this 12” is as cheap and easy to get as it is. Of course format and length might not be preferred by many. c. 15 minutes vinyl release, one-sider. Content is decent. Ripping pe-noise, makes me think a bit of Strict blending with History of Aids type Prurient or something around that type. Not heavy electronics, not very structured. Just feedback and nasty electronic noise. From 2008, from mr. Holger. Edition about 150, on Hospital prod.

Spine Scavenger "crossfire in skanatel attack" 12"
Troniks
about 20 minutes one side 12” on Troniks. If I’d say rhythmic electronic loops, feedback treatments and such, that probably makes one think something entirely different than what this is. However, that is quite accurate description. Hard electronic pulsations has nearly musical quality, but I would rather file this among -noise- than anything else really.

Birth Refusal 12”
continues my recent re-visits to Troniks one siders. Raw electronic noise sessions.

Rasthof Dachau "Blut & Boden" LP 2nd press.
Steinklang
Discogs has banned the 1st press LP from 1998 and the metal box special edition, but all later pressings are available cheap. This one came like 4 years after first edition. I actually like more this utterly simple, very much ”old power electronics” type of glued little title on top of plain cover. Also band may be here better than in some other stuff. I recall split VHS with G.O. Was somehow more… performance art/indusrial blend? Haveb’t watched that for ages, gig was from 1993. Later works, like Prison Poems, is cleaner than this one here, and vastly more linear and one-dimensional. 1st LP has surprisingly good blend of experimentation, physicality and noisiness combined to hard euro-pe / old school industrial material.

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« Reply #8319 on: August 13, 2021, 07:22:45 AM »

Black Seas Of Infinity "Within Daathian Chasms" extremely low fi death industrial / death ambient for this American project, which - in my opinion - belongs to a very underrated, yet extremely good little "scene", together with other great projects like Dapnom or Taog Susej, grown around 15-17 years ago around labels like Antihumanism or Autumn Winds, closer to black metal rather than to electronic music. Spooky and minimal evil ritualistic ambient music with absolutely NO frills or "intellectual" purposes. Just darkness.
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« Reply #8320 on: August 13, 2021, 04:58:03 PM »

belongs to a very underrated, yet extremely good little "scene", together with other great projects like Dapnom, closer to black metal rather than to electronic music. Spooky and minimal evil ritualistic ambient music with absolutely NO frills or "intellectual" purposes. Just darkness.

Dapnom doesnt get mentioned as much as they deserve. I got some the bloody tapes at the time they were happening. BM obsessed guy played it at his place and it was too weird and great to pass. But the tapes were quite varied. One might be total monotony and other might be very happening.
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« Reply #8321 on: August 16, 2021, 06:46:27 AM »

Spoke with Dapnom years ago about doing releases, nothing ever eventuated. He now plays classical under his real name and if i recall has received decent success with that.
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« Reply #8322 on: August 16, 2021, 07:05:11 PM »

Black Seas Of Infinity "Within Daathian Chasms" extremely low fi death industrial / death ambient for this American project, which - in my opinion - belongs to a very underrated, yet extremely good little "scene", together with other great projects like Dapnom or Taog Susej, grown around 15-17 years ago around labels like Antihumanism or Autumn Winds, closer to black metal rather than to electronic music. Spooky and minimal evil ritualistic ambient music with absolutely NO frills or "intellectual" purposes. Just darkness.

Thanks for mentioning this.  Never heard of BSoI.  Not sure I hear nothing but darkness and no frills, but that's for another time.  This is a lot of fun because I'm hearing it in a similar way to how great noisecore can be done.  Conceptual or storytelling or something akin to that.  Situational noisecore like Traci Lords Loves Noise, Rectal Pus, or who not.  If I was putting this in a mailorder catalogue, I'm not sure how I'd label it or describe it.
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« Reply #8323 on: August 20, 2021, 08:17:43 AM »

NORD "LSD" LP
I recall back in the day, making offer of, then outrageous 150 or was it 250usd for original LP. I have only couple times paid that kind of money for album. Couple Hijokaidan originals I paid probably 150, which seemed mistake after seeing them sold in Japan fraction of the price when I first visited there. Whitehouse Right to Kill and GO debut I paid also good money. I guess just about everything else was bought for pretty much regular prices. Handful of LP’s for 50e, but that is soon probably new normal for any LP’s.. hah..
Well, NORD LSD, I guess it sold for way more than my offer (auctioned by RRR, not on ebay, but privately). In 2011 someone in Germany made replica bootlegs of the 2nd and 3rd NORD LP’s. I think sound is good and cover ain’t hopeless either, even if its blurry and odd texture on pictures. Most of all, one can conclude that the NORD debut, with original line-up is vastly superior compared to LSD. This one is not bad really, but merely clumsy psychedelic kraut type works, as opposed to early NORD immersive noise soundscapes.
Factually, tons of new tapes are better than this, yet something made me -again- pull this LP on turtable instead of something… ”better”?

MB "Evidences vol 1" 5xLP box
VOD
I recall back in the day, long before MB did the comeback, his stuff was so mysterious. Bootleg tape dubs sold by some tape labels of the time and tracks found from compilations.
Then access for archive CD’s changed things and you could access a lot of stuff. Eventually felt as if ”a lot” became too much for me.
Lost the urge to get more MB than I already had. Never liked any of the comeback stuff, so that sort of escalated that I felt I have probably way more MB in shelves than I REALLY need.
So something like this box… it came out 2007, and first time hit on my turntable now.
Seemed like time was now right, on the mood for some MB. And hell yes, not only ”on the mood”, but I could conclude that this box-set compiling many of the tapes that came out in one and same year, 1980, is brilliant stuff. Of course I have some of this stuff on other formats, and it was not a surprise it is great… nevertheless, somehow gave rebirth for absolute appreciation of MB works.
When you really think of what stuff we have here, and that it all was done in 1980, and you can take a quick look about the state of NOISE back then… Who would not appreciate MB!?
4th LP on rotation, and proceeding…
If you do not have to much of MB, this box is well worth to grab. I don’t think it became too expensive or rare meanwhile..

INADE "colliding dimensions..." 4xLP box
Loki
after five hours of MB, already starting with 2nd LP out of INADE 4xLP box. Dark, sinister sounding things going on here. Throat singing or some sort of invocations, tribal instruments, dark tones, dragging metal junks and some distant echoing bounding sounds…

ESP KINETIC "want some of this?" LP.
Harbinger
A bit dirty pressing, snap, crackle & pop through entire LP, but in other hand, it is -dirty- old school industrial works. Nasty keyboard patterns, drum machines, flanger vocals, some metal junk smashing noise tracks too. Overall rotten and mid-range hollow sound, like boombox or walkman recording done in early 80’s. So even with surface noises, it works ok.

MILITIA "New European Order"  3 vinyl set
PDB
one of all time favorites, and most listened junk percussion industrial albums. Their best works too, due the analogue production what makes the overall sound vastly better than in later works. This album is so good, it never sounds dated in wrong way.
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« Reply #8324 on: August 20, 2021, 05:07:55 PM »

elsewhere posted

The Archangels Of Sex Rule The Destruction Of The Regime
So here was one of those holy grails that would mock me every week in the shop, priced three to four times higher than any other cassette sold at the time (early-mid 90s). The two of them [ed. Archangels & Beast 666] were similarly priced, I think, though I'd managed to cop Beast 666 some years earlier. I knew I absolutely needed Archangels but that need was balanced against the certain knowledge that I was being played for the silly sod I was (am, cough). No other suckers would go for it, obviously, cuz it sat there for months (years?). I don't even remember if I actually finally caved (probably), or if I managed to cop it somewhere else (doubtful).

There were two reasons I needed it and their names were Ain and Soph, in that order, as I was absolutely in thrall to everything I had with said names on it (about three things- Ars Regia, Kshatriya and what I will always stubbornly call Exarp Hcoma Nanta Bitom). Came for the Ain Soph and they were everything I hoped, two tracks sounding much in the Ars Regia vein - borderline crappola occult indulgences with an undeniable indomitable atmos occasionally to be named (by me) "ritual dirge" - but arching somewhat to the left of overlapping sessions, beauteous disembodied belchings lending just the correct gutterfelch spelunkings.

Came for the Ain Soph (to a lesser extent the Metgumbnerbone), stayed for the Ewald Spiss. Ewald Spiss. Now here's a character- still going strong! A perfect and perfectly primitive oddity of atmosphere but really I think the star of the comp. (The turn as Kathan Spiss on Beast 666 no slouch at that.) Again that dusky disembodied dirgesmosphere waffling over call-n-response assortment of semi-regular thunk, scrape and wallop, sitting well up or down in the mix as the respective track directs.
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