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Author Topic: PLAYLIST with COMMENTS/REVIEWS  (Read 3242087 times)
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imaginaryforces
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« Reply #840 on: February 14, 2011, 02:12:03 AM »

Sewer Election & Altar of Flies.
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Zeno Marx
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« Reply #841 on: February 14, 2011, 04:36:39 AM »

Dajjal - s/t C-90 on Cathartic Process

Aggressive, industrial noise with long, epic travel as it meanders through so many different lands, all with equally great skill.  I've only listened to side A so far because something I enjoy this much is something I'm going to be patient absorbing.  Blew me away.  I was sometimes reminded of early noise industrialists, and at one point, I was thinking of Richard Ramirez during his I keep My Stuff Inside and /Alchemy of the 20th Century period.  Says it was recorded live, and if so, and not well rehearsed prior to the recording, he was blessed with at least one 45-minute span of everything working for him.  As much as it changes, it felt effortless.  This is why I continue to listen to industrial music, and if I can find something this rewarding even once a year, I'm satisfied.
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« Reply #842 on: February 15, 2011, 07:16:03 PM »

CLUB MORAL social hygiene 10"- great little record esp worth it for the live tracks on s2.
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« Reply #843 on: February 16, 2011, 04:54:07 AM »

Izanami's Labour Pains - Osorezan No Itako 3" CDr
Siouxsie And The Banshees - Juju LP
Siouxsie And The Banshees - Nocturne 2xLP
Macronympha / Kakerlak - Split LP
T.E.F. - Consequences In Conversation CD
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FreakAnimalFinland
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« Reply #844 on: February 17, 2011, 08:42:17 PM »

KE/HIL LP is very good! I think the weakest moment is the Monte Cazazza tribute song, but even that is pretty good. Album as whole, I was very positively surprised how strong industrial album it is!

Slogun new CD, fucking hell! Could this be up to very top in Slogun discography! And now as ltd 300 cd, being smaller pressing than almost anything in back catalogue. Don't miss!

Onamotopoeia "irrelevant" LP, old tape re-issued as LP. Who remembers? If you like the approach of some old UK noise. With sense of humor, sense of composition of experimental noises, this is great stuff. I keep repeating the "stuff you can't hear nowadays", and this artist is one of those. I can't think anyone who would be like this is contemporary noise? Brilliant.

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hannes
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« Reply #845 on: February 17, 2011, 10:37:23 PM »

Family Underground - Demon Parade
Death In June - Burial
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« Reply #846 on: February 18, 2011, 01:06:46 AM »

Slogun new CD, fucking hell! Could this be up to very top in Slogun discography! And now as ltd 300 cd, being smaller pressing than almost anything in back catalogue. Don't miss!

so it's not tired noise with monotonous shouted vocals WAY too loud on top, like bloody roots? i've given slogun many chances, but it just doesn't seem to be my thing.
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« Reply #847 on: February 18, 2011, 07:59:22 AM »

Complexity of the songs and variation in sounds is higher than ever before. It is still Slogun. So for example delay drenched vocals having "same sound" is present in many tracks, but now some changes on that department too. To me it sounds like Slogun is the most experimental and the most innovative about the sounds he uses than for years.
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« Reply #848 on: February 18, 2011, 06:22:53 PM »

Haare "death happening" 7", hahahah!!!! English guys have the good taste to treat our Finnish drone shaman! First At War With False noise put out cd with front cover saying HAAPE and now Turgid Animal unleashes the amazing beast of suomi-leijona into back cover!! Total classic!!! Red-neck drone? I think that is something what really needs to be there. I'm pretty impressed. What comes to the music, Haare is surprisingly chaotic and disharmonic here! Layers of reversed sounds creates demonic roaring noise. Which isn't harsh, but very far from relaxing. I'd like to congratulate band for being able to bring some nice new things to its approach! Other side is much more conventional Haare with eerie guitar drones and lots of layers of things happening. Could it be that reversed side is the other side.. just reversed? Nevetheless, Good 7"!
Yeah, think I'm gonna have to buy a Karhu/Karjala baseball cap soon...
As for the sounds, nope, it's not the same material reversed. Some sounds were used on both sides though.
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hannes
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« Reply #849 on: February 18, 2011, 09:17:02 PM »

Prurient - The History Of Aids, LP
I don't think I need any other Prurient release besides this one. So good!
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RyanWreck
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« Reply #850 on: February 19, 2011, 12:40:58 AM »

Complexity of the songs and variation in sounds is higher than ever before. It is still Slogun. So for example delay drenched vocals having "same sound" is present in many tracks, but now some changes on that department too. To me it sounds like Slogun is the most experimental and the most innovative about the sounds he uses than for years.

Good! I got tired of "Bloody Roots" so quick. Boring stuff after about 2 spins. I'm looking forward to this "We Human Animal" CD, ordering it now.
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imaginaryforces
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« Reply #851 on: February 19, 2011, 01:48:08 AM »

Prurient - The History Of Aids, LP
I don't think I need any other Prurient release besides this one. So good!

I found a copy of this on vinyl at work a few months back. Brilliant release.
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Ashmonger
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« Reply #852 on: February 19, 2011, 11:47:08 AM »

Sewer Goddess/Diseased Oblivion split (CDr, Degenerate Slime): Sewer Goddess has two tracks, first one sounds more like her 'usual' stuff, with some 'dronelike' guitars and cool sparse use of drums (cymbals). The second track is more Funeral Doom Metal. Good stuff as well, like her vocals on this one. Diseased Oblivion is misery-filled Doom Metal, good stuff. Only on the first (of the 3) tracks the vocals are a bit weird, like very deep spoken vocals, just sounds a bit off. Glad I still got this though, overall good stuff.

Anenzephalia - Noehaem (LP, Tesco/Zaetraom): Started weird with the first track being kind of classical music (dark, subdued kind of but still), not what I expected, then the second track starts with electronics, but in a way compliments the first track very well, so this works fine. (That first track in itself is good as well, just was not what I expected, hehe.) Overall this is some really good Death Industrial. Really like this LP.

Genocide Organ - Leichenlinie (CD, Tesco): Being an industrial classic and having heard some GO material that I liked, I ordered this. Definately worth of buying, but I think it still has to grow a bit on me, due to some of the tracks being a bit monotonous it seems.

Control - The Cleansing (CD, PACrec): Heard some Control tracks (ao on the Hated Perversions comp) which I really liked, so I guessed this compilation of other material is as good a place as any to get more of his material. Definately like this a lot. Though being Power Electronics, there's also a kind of ambient feel to me. Also really like the effected vocals.

Der Stürmer - A Banner Greater Than Death (CD, Die Todesrune): I don't have too much interest in NSBM, but Der Stürmer is really great. Makes me think they're kind of the War Metal of NSBM. Although this isn't fully fitting, because they also have some songs with a more epic feel, which are just as fine. I also saw them live in Belgium a couple of years ago, and live they're just as good, maybe not really tight or anything, but raw and energetic nonetheless.
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« Reply #853 on: February 19, 2011, 03:51:01 PM »

Henry Chopin "catata for two farts & co" LP
Found this, and since it includes the killer "throat power" track it seemed to be the best Chopin to include in my own collection. Liner notes, great noise, especially the 2nd side, with before mentioned Throat Power and Vertigo Du Vertige tracks. If someone can advice for more stuff like this, please go ahead!! Perhaps not the cleanest pressing heard in world of vinyl, yet sound is so suitable for vinyl format.

Pimp Aktion-Slutgun LP.
Loooong awaited record, being the slightly cut version of original nearly unreleased C-60 tape on Zero Cabal. Nearly - because I think the planned anti LP packaging never happened, but some copies of tape with insert was sent around. I happened to get it back then, and thought the rough and crunchy noise was just too dull to capture my attention compared the genius works of Streicher. Years later, I listened tape again, and it was much much much better than my old memories. And now when I listen this LP, I must say this is my impression still. It is simple, crunchy and relatively low fidelity harsh noise wall, yet it has this "non pedal" sounding overdrive in all what happens. Making is very tasty and nice sounding, not too distorted. Not too thin. Not too processed. The moaning or howling voice is such a demented thing, when it arrives once in a while, you rarely hear such element in noise! Totally brilliant! I don't know if it's just the lack of very high crispy sounds combined with dry extra cold weather (-25 *C or whatever..), but surface noise is pretty extensive. Snap, crackle and pop is there constantly.

Maldur Atai 10"
Heavy repetition of loops. Clean sounds reverbed and delayed. Eastern themes, wibes of palestine. It's well crafted stuff with some live elements. Deutsch Nepal and such bands wouldn't be totally out of question when talking of this Lithuanian group. I would hope little more "modulation" of sounds instead of letting the same sound go on for too long, but in other hand it creates kind of epic mood. Will have to check how the CD's are!
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GEWALTMONOPOL
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« Reply #854 on: February 19, 2011, 05:11:33 PM »

Anenzephalia - Noehaem (LP, Tesco/Zaetraom): Started weird with the first track being kind of classical music (dark, subdued kind of but still), not what I expected, then the second track starts with electronics, but in a way compliments the first track very well, so this works fine. (That first track in itself is good as well, just was not what I expected, hehe.) Overall this is some really good Death Industrial. Really like this LP.

Try listening to this album and nothing else for an entire day. Preferably when not leaving the flat/house. What at first seems boring and non eventful evolves into a truly oppressive album if given enough time and effort. It'll make you feel quite anxious and uncomfortable. The first time this album really hit me was when I was stuck in one of the many never ending queues in the London rush hour. Perfect!
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