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Author Topic: Collage Art  (Read 67758 times)
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HateSermon
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« Reply #90 on: January 06, 2023, 01:10:48 AM »

Some of the new artwork for the upcoming Hate Sermon release “Children of God”.

https://suspiciousactivitylabel.blogspot.com/2023/01/new-collages.html?m=1
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Ogata Tetsuo
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« Reply #91 on: April 05, 2023, 06:38:04 PM »

I also made some collages for some zines, but my GF has a collage instagram.
Feel free to follow her: https://www.instagram.com/gluewithlove/

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Cementimental
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« Reply #92 on: May 18, 2023, 11:45:29 AM »

Quote
Thomas Kong (January 16, 1950 - May 1, 2023) was an artist working in collage and assemblage, using advertising, packaging and other surplus material from his convenience store, Kim's Corner Food, located in the Rogers Park neighborhood of Chicago.

In the 17 years that Kong operated Kim's Corner Food, the store featured an evolving installation of his work, and was open to customers and visitors 7 days a week.

https://www.theartnewspaper.com/2023/05/03/thomas-kong-chicago-artist-obituary

https://thomaskong.biz/

free pdf book: https://halfletterpress.com/at-work-with-thomas-kong-pdf
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AdamLehrerImageMaker
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« Reply #93 on: May 19, 2023, 05:43:34 PM »

When the word "transgressive" is used, it always seems like the person is trying to play down being offended. I'm not sure I've ever come across an artist who has stated their intent is to be transgressive.

"Uninspired" in what way? For the artist or the viewer? I've seen some stuff that looked like it was pieced together with very little skill but I have no idea if they were inspired at the time of tearing everything up or not.

When i think transgression, i think of something existing purely for shock value. And having no value outside of that. I also think a lot of PE inspired torn black and white is often times just terrible (it's like standing in the street and screaming "i'm fucking angry and i want you to know"), largely because it lacks originality/personal qualities (i think everyone can agree there is a lot of really poor shit out there, being poor "music") that separates it from the rest.

When buying a record or a tape, the artwork matters to me. I'm less likely to check something out i don't like the art (i'm sure many feel the same way) or the name. 

I don't agree with this. Every society has taboos. In our society, taboos are shifting constantly. Transgressive art merely brushes up against or crosses over the line of the taboo to either affirm it OR to challenge it and find its hypocrisy. One can tell the difference between meathead shock jock shit or something that genuinely transgressive that clarifies something about our culture.
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Johann
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« Reply #94 on: May 21, 2023, 04:01:15 AM »

When the word "transgressive" is used, it always seems like the person is trying to play down being offended. I'm not sure I've ever come across an artist who has stated their intent is to be transgressive.

"Uninspired" in what way? For the artist or the viewer? I've seen some stuff that looked like it was pieced together with very little skill but I have no idea if they were inspired at the time of tearing everything up or not.

When i think transgression, i think of something existing purely for shock value. And having no value outside of that. I also think a lot of PE inspired torn black and white is often times just terrible (it's like standing in the street and screaming "i'm fucking angry and i want you to know"), largely because it lacks originality/personal qualities (i think everyone can agree there is a lot of really poor shit out there, being poor "music") that separates it from the rest.

When buying a record or a tape, the artwork matters to me. I'm less likely to check something out i don't like the art (i'm sure many feel the same way) or the name. 

I don't agree with this. Every society has taboos. In our society, taboos are shifting constantly. Transgressive art merely brushes up against or crosses over the line of the taboo to either affirm it OR to challenge it and find its hypocrisy. One can tell the difference between meathead shock jock shit or something that genuinely transgressive that clarifies something about our culture.

It’s hard to know completely where I was coming from exactly (the quoted post is 10 years old) and I’m not sure if I’m responding to Keith or Keith to me, or what the other talk is around the quote. My expressed opinion wasn’t very fleshed out, but I’ll do my best to address it.

I think I largely feel the same way, I’m not interested in artistic expression (regardless of medium) exploring “taboo/transgression” as much as I am looking for something that’s coming from a genuine place (if their interest is “transgressive” to some, so be it). I don’t believe in restrictions of expression and if I’m not interested in the output or I think it’s aesthetically uninteresting I’ll probably ignore it. I think you can definitely tell who is for real but the expression itself still has to be interesting.

That said, I still think there is a lot of stuff produced that is not genuine (or if it is, maybe I find it still immature) and that’s what I think of as “shock value” style stuff. Tons of people attempt to express how dangerous they are through expression in one of the safest communities around (reminds me of, I think the WCN interview with Noisewidow). I find a lot of the stuff cringey, weird male rights stuff, weak exploration of political ideas, accompanied by bad sound (ie unoriginal) and especially now hyper branded (aesthetically) to an audience looking for objects to express identity and post on social media feeds.

Regarding something “genuinely transgressing”, I’d be curious to know what you think is accomplishing this in 2023. Specifically are we talking about inside or outside the community?
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