Live show reports / comments

Started by FreakAnimalFinland, July 25, 2011, 09:35:36 AM

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boredomrecs

Sux By Sux West 3; Austin, TX, March 17th, 2013

Sux By Suxwest 3 Review via Musique Machine:
http://www.musiquemachine.com/articles/articles_template.php?id=296

Sux by Suxwest 3 Compilation is now available for download. Exclusive tracks by: Richard Ramirez, the Rita, Eugenics Council, Dromez, Stress Orphan, Break Dancing Ronald Reagan, Justin Marc Lloyd, Faggot Front, Plack Blague, and many many more insanely great artists. Compiled by Jonathan Cash and made available by Inferior Meat Records. This could only be purchased in physcial form at the fest. Limited to a mere 50.

Download here (and please donate some bills if you can):
http://breakdancingronaldreagan.bandcamp.com/album/sux-by-suxwest-3-compilation

Some of the sets, if anyone is interested:

The Rita

http://youtu.be/8aW8FsPhLu8

Black Leather Jesus
http://youtu.be/DTCi-MwNY4E

Vice Wears Black Hose
http://youtu.be/8QYadM1nKpk

Justin Marc Lloyd
http://youtu.be/dR-lMBxYbQ8

Machismo
http://www.youtube.com/watch?v=aFqg88vzLUw

Pusdrainer
http://youtu.be/VJsG46wPBCQ

James Quall
http://youtu.be/fcftNuoVzVU

Eugenics Council
http://youtu.be/gb9PFowjQRU

martialgodmask

13042013 - AX; Anenome Tube; Trepaneringsritualen; Iron Fist Of The Sun; Dry Greed; To The Lovers, Farewell
The Wagon & Horses (Digbeth, Birmingham)

A six act bill can often bring complications over timing and sadly last night was unable to avoid this. For starters, doors were 30mins or so late in opening, so an 8pm door time became 8:30pm I think? Not a major set-back of course, but this was just the first delay of the evening.

The venue itself is nicely tucked away in the side streets and is like a cross between a couple of venues I've visited in Nottingham. Unfortunately, the same venue was hosting a rave (or so it seemed) in the beer garden which created a strange and often frustrating juxtaposition of moods and sounds, exacerbated further by the stereo in the bar playing something different altogether! Having said that, credit where credit's due it's apparently one of the few remaining venues in the Midlands that has absolutely no issue with noise / P.E. and for that I am grateful.

To The Lovers, Farewell were on first. I'd read a hilarious diatribe from the Red Venice Records "owner" on Facebook the other day (who is one of the three members of this group) and having never heard them was keen to see what kind of balls he/they would have on stage. The answer: none. Terrible, nothing redeemable about it at all. Looking uncomfortably out-of-place, they seemed bored and/or self conscious, maybe because their sounds were very weak and uninspired. No disrespect to Peripheral for putting them on, but they added nothing to the evening. TTL, F did give out promo discs to everyone after their set (biz-card cdr...argh) so maybe when I listen to them this way there will be something more?

Dry Greed was second, who was an improvement over the first lot but for a synth-driven performance there seemed to be a lack of congruence between the sounds. The ending seemed a little unplanned like a tech-failure brought it to a halt, not helped by the bleeding sound of the disco downstairs as soon as the noise stopped.

IFOTS took to the stage and delivered a great set - a marked shift in quality for the rest of the evening started here, though the first two acts and the start of Lee's set were not helped by a lack of volume. Would've quite happily watched another 30mins of this, not only is he bang-on on record but his live experience is plain for all to see too.

A bit of a wait now, before TxRxP came on. Face covered in corpsepaint and blood, setup was minimal, opting to use pre-recorded backgrounds and providing live vocals over the top. Fine by me. Really enjoyed this, infectiously head-nodding rhythms, great atmosphere. Felt almost like a blackened and ritualistic Killing Joke at times.

And then... a long delay. Anenome Tube were due on next but probably didn't actually hit the stage for another 45mins or so after TxRxP? They wanted a projector setup which the sound guy seemed to take ages building a stand for.... could this not have been done pre-show? Maybe not, looking at the space in the venue, but a bit of urgency wouldn't've gone amiss either. When it was setup, the projection was upside-down. Ten minutes, he told AT, he would need to wait for the bulb to cool down before turning the projector the other way up. Fuck that, they thought evidently and played regardless. I think there was some moving image on the screen but without wanting to crane my neck I didn't pay much attention. AT delivered a very enjoyable set, great layers of big sound, second half of the set better than the first. Some chains and metal objects used to good effect for the most part, looked like the rest of it was performed through Macbook? It did seem to go on for some time however and by the time they finished, everybody around the room looked visibly tired and it was at this point the evening felt like it was dragging on long enough.

12:30am and AX hadn't even got started yet (not DiFranco's fault). Unfortunately, I'd hit a wall at this point and knowing I'd got to drive up the motorway decided to call it a night. So had a number of people it seemed and the room was looking rather empty. A damn shame because I earlier in the day I was really looking forward to seeing him and a shame for him that due to timings he probably only played to 15 or so people? I may be wrong, maybe there were more people lurking around to the end than I thought. Would like to hear thoughts on his set. I did pick up a copy of Metal Forest at last earlier in the evening so at least I can put that on and try to imagine it live haha.

Steve

An excellent "review" Mr. Godmask..it was a gig that I thought about going myself and now glad that I didn't but organised a little gig in Exeter for Anemone Tube & Trepaneringsritualen (with added Human Larvae). Monday 15 at Exeter Cavern if you fancy the drive down the motorway?

martialgodmask

Quote from: Steve on April 14, 2013, 03:06:44 PM
An excellent "review" Mr. Godmask..it was a gig that I thought about going myself and now glad that I didn't but organised a little gig in Exeter for Anemone Tube & Trepaneringsritualen (with added Human Larvae). Monday 15 at Exeter Cavern if you fancy the drive down the motorway?

Whilst added Larvae sounds great, a 408 mile round trip would require more advanced planning!

P-K

07/06/2013 CinePalace Kortrijk, Belgium

Stryknin : new/unknown to me...sounded very World Serpent-isch, electronics, guitar, synth, a bit like Contrastate maybe but didn't really hold my attention.

Diskrepant : colliding drones/waves & detailed electronics, nice composition to climax, rather good stuff!

Trepaneringsritualen : candles, incense, minimal light, corpsepaint/blood...pre-recorded sound with bestial live & processed vocals, DARK sounds, headnodding beats, recognisable 'songs' (Judas Goat, All Hail The Black Flame,...)........i heard several people after the gig complaining about the pre-recorded aspect but i couldn't care less : the vibe & presance were clearly there and it was awesome! Simply great stuff, i think the set-up was great, txrxp surrounded by the crowd, added to the 'ritual' imho....

Mikerdeath

Saw Boyd Rice tonight in SF and it was one of the best things ive seen in a long time.

HongKongGoolagong

Con-Dom a couple of nights ago in Leeds played very early material to celebrate his thirtieth year - things I remember from the long out-of-print earliest live cassettes. Vicious noise rush, great vocals and projections as ever. I left the room before the end as it was too hot (surprisingly big turnout, Skullflower also played) just after he wiped his fingers on the face of some young man during "I Shit On You" - apparently this guy thought in the paranoid claustrophobia of the show that real shit had been smeared on him and there was some kind of confrontation afterwards.

Three piece Skullflower (two guitars, violin) were slightly mellower and more flowing than I have seen them for a while.

Mutant Ape made some brutal tones, how could anyone not enjoy listening to that.

Still bewildered at how many people came to this show on a Wednesday night.


blackoperations

Quote from: HongKongGoolagong on September 13, 2013, 06:17:12 PM
Con-Dom a couple of nights ago in Leeds played very early material to celebrate his thirtieth year - things I remember from the long out-of-print earliest live cassettes. Vicious noise rush, great vocals and projections as ever. I left the room before the end as it was too hot (surprisingly big turnout, Skullflower also played) just after he wiped his fingers on the face of some young man during "I Shit On You" - apparently this guy thought in the paranoid claustrophobia of the show that real shit had been smeared on him and there was some kind of confrontation afterwards.

Three piece Skullflower (two guitars, violin) were slightly mellower and more flowing than I have seen them for a while.

Mutant Ape made some brutal tones, how could anyone not enjoy listening to that.

Still bewildered at how many people came to this show on a Wednesday night.



i was hoping to try and get down to that - gutted didn't now - would've loved to have seen mike doing all that old con-dom stuff. hopefully see him again live soon enough and he's still doing it.

FreakAnimalFinland

DENMARK 14.9.2013
Gig in Copenhagen. Great venue, huge size concrete basement with insane PA system. I guess this is first time for me, when PA has been so loud, that it's decided (by artists!) to turn it down significantly so it's not so unbearable volume!
It was loud, but not too loud. It was massively echoing, yet still distinctive enough for all bands to sound like themselves and not sink into blurry mass of noise.
Jaakko Vanhala played possible best set of his what I have seen? While show in Sweden last year suffered from lack of subwoofer power (accidentally switched off..) and show in belgium had some minor technical error with equipment preventing the final punch, this time just utter punch in the face harsh noise, with complexity and density, but also intense raw power!
Forza Albino was great surprise! While shows in Finland were the "trad" power electronics set up of two vintage synths and vocals, this time synthesizer, tape loops, prepared-noise-bass controlled synth and vocals created massive and creepy industrial feel. Slow throbbing pulsations, eerie repeating spoken word samples, barbaric vocal performance. Relatively stillness in stage presence contributed to the atmosphere. Brilliant!
Damien Dubrovnik was also possibly best set I have heard from them? Some people were critical of performance art vibe of one segment of set, but that was fine with me. I do acknowledge that swallowing contact mics and gagging & drooling is part of the ABC of noise performances (Sudden Infant, R&G, Dave Phillips, Randy Yau, etc.. just to name few), but most things are always to be re-re-re-discovered by others. Sonically crystallic tones and piercing feedbacks, huge percussive sounds, great vocals ranging from more quiet to ultimate screaming. Everything top-notch from compositional perspective. It's great to see fully thought-out sets.
For Grunt, I'm obviously hardly objective to say much. Not the best gig of recent times, but neither worst. Few technical changes done AFTER soundcheck proved to be wrong choices, but judging from recording and live pictures, it was mostly reflecting atmosphere on stage, not so much off stage...

Despite huge size of venue, it didn't look empty at all. Good amount of crowd!
Thanks for Nikolaj for professional organization, Klaus for the slice on the floor and Posh crew, Forza barbarians etc.  Thanks to last minute sleaze hunt in sunday morning, returned home with almost 40 super-8 loops and pile of mags! Copenhagen proves to be cultural city indeed.

I might throw few photos later on. Slide-show of several dozens of Grunt pictures combined with one live track can be found at:
http://grunt-finland.tumblr.com/
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Scat-O-Logy

Quote from: FreakAnimalFinland on September 16, 2013, 06:03:55 PM
Despite huge size of venue, it didn't look empty at all. Good amount of crowd!
Thanks for Nikolaj for professional organization, Klaus for the slice on the floor and Posh crew, Forza barbarians etc.  Thanks to last minute sleaze hunt in sunday morning, returned home with almost 40 super-8 loops and pile of mags! Copenhagen proves to be cultural city indeed.

I might throw few photos later on. Slide-show of several dozens of Grunt pictures combined with one live track can be found at:
http://grunt-finland.tumblr.com/

Off-topic but I wish some pics of your tasty purchases, heh...

FreakAnimalFinland

E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Leatherface


impulse manslaughter

Went to the Incubate Festival last weekend. Missed Wolf Eyes but enjoyed pretty much everything i saw (Cut Hands, Clock DVA, Biosphere, Tim Hecker, T.A.G.C., Barn Owl, Rome, Pete Swanson, White Hills, Jesu, Immortal, A place To Bury Strangers). Was just a bit disappointed about the Prurient set. Started out with feedback, atmospheric sounds, than some all out noise + Dom screaming.. i was really into it. Then the 2nd part of the set was some Vatican Shadows type of dance stuff. This kinda ruined it for me..

Ashmonger

Control in Belgium, 27/09/2013

Venue: youth club in old War Fort, which was nice.

All Shadows and Deliverance: some nice sounds, but nothing all too convincing.
Praying For Oblivion + Flutwacht: solid harsh set, with some nice metal junk.
Manifesto: good Death Industrial, but at first I was thinking that it would be nicer to listen to at home, later in the set there was a throbbing track which was really good. So, I heard someone say to another guy on which album that track was and decided to get it too, still have to listen though.
Control: had some problems with his micro, but apart from that really good, the sounds are actually quite clean compared to a lot of other PE (had been a while since I listened to Control, so the contrast was clear), but they're just really good and well constructed and the vocal delivery was intense.
Nice evening!