Out now on Urashima
Uma 135 Controlled Death – Ritualistic Mutilation in the Bloody Darkness Double LP in gatefold sleeve
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. In April 2018 he decided to make a shudder debut with 1st album Symphony For The Black Murder then followed at the beginning of 2019 from 2nd work in an astonishing black wooden box that included Journey Through A Dead Body on vinyl and Deathwish Tapes 1-3 on cd and double tape. Now we're thrilled to see yet another mind-boggling work on double LP recorded during this year, Ritualistic Mutilation in the Bloody Darkness. Wild and amazing, this one is absolutely essential for any fan of synth and dark ambient music. Cracked minimal electronic sound by Korg MS-20, unclear and disturbing voice with the influence of primitive black metal and dark ritual in this new double album which developed a moisturized doom world while wearing a raw material texture. While listening to the records, each long track does meander their way slowly through proceedings with silent pauses, but they nonetheless generate a respectably dense assemblage of sounds. The smell of death is soaked in every groove produced by the four vinyl sides.
The activities of Controlled Death are like archaic revival to the music experience before Masonna. We can also find the pathology image of the early industrial period and the shadows of Vienna activism such as Hermann Nitsch as well as loose bits of seminal black metal. The existence and art that pierces through conspicuous consciousness and dives to areas of unconsciousness due to death and pleasure.
Double LP has been pressed on 140gr black vinyl and comes in a deluxe gatefold sleeve with impressive photography (of a cave church with the remains of the people who were massacred by the Saracens in 999 A.D. during the invasion of southern Italy) by Aldo Volpe. This release is not be missed, and with only 299 copies pressed you'd better grab it now!
Uma 136 Incapacitants – Project Pallo '85 Triple LP in grey wooden box
It's a great moment for reissues of ambitious, historical gestures of the noise from Japan. One after the other, these artifacts have emerged from the shadows, entirely rewriting what so many of us thought we knew. Now, at long last, before us rest another piece in the puzzle - the first ever vinyl reissue of one of the most sought after artifacts from the 80s noise scene - Incapacitants' Project Pallo '85, originally issued in 1985 by Pariah Tapes, and now reemerging in a new fully remastered edition by Andrea Marutti.
Few projects can claim the seminal importance of the Incapacitants on worldwide noise scene. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa, a bank employee who then became a deputy general manager of one of the largest securities brokers in Japan, later moved to Tokyo, where he joined with government office worker Fumio Kosakai (also an occasional member of Hijokaidan, as well as a former member of C.C.C.C.) to make Incapacitants a duo. Toshiji Mikawa and Fumio Kosakai are no ordinary salarymen, though. They've been making some of the most unremittingly ear-shattering racket for decades as Incapacitants, one of the most significant noise outfits to emerge from the groundbreaking Japanese scene in the early 1980s, and still one of the most radical and powerful. They've consistently been responsible for some of the most complex, chaotic, loud, and downright fun releases in the genre.
In the early eighties when based in Osaka, Mikawa occasionally performed as Incapacitants as part of various duets, most notably with Yamatsuka Eye of Hanatarash and Boredoms, and set up the Pariah Tapes label in order to release the first Incapacitants material. Starting from 1981 with Eternal Paralysis and Peony Crackers until 1985 with Project Pallo '85 that was produced on the label in triple cassette and handmade box. About two hours and half divided in 7 long tracks of just pure, unadulterated electronic distortion of the highest quality done by one of the masters who has ever turned the knob on a distortion pedal that is fun, terrifying, hypnotic and fascinating all at the same time; his noise takes root not in violence or gimmickry, but in uncontaminated energy.
Triple LP has been pressed on 140gr black vinyl and comes in a deluxe grey wooden box with front/back laser engraving plus three cardboard colored in 30x30 cm from the original box cover art, original dragon drawing by Takuya Sakaguchi used for artwork box and original insert. In a limited edition of 299 numbered copies, it's absolutely essential and not to be missed.
